 |
The Sound of Music 3-
|
|
|
Compared to previous entries this is a relatively mainstream one. Antony & The Johnson’s second album I Am A Bird Now won the 2005 Mercury Music Prize for British artists. But that’s just about the only mainstream element about it…
There was some consternation about the Mercury win at the time, since Antony’s links to the UK music scene are tenuous at best (Antony was born in the UK but raised in California, but that’s a stronger link than most of the Irish national soccer team have, so we like all others will let it pass).  Despite seemingly appearing from nowhere and scooping a major award with his first effort, Antony has (like many overnight successes) been paying his dues for a long time. He moved to New York in 1990 and became involved in the East Village gay scene performing as a drag act. The debut album Antony & the Johnsons was released in 2000 and I Am A Bird Now followed in 2005 making a surprise breakthrough into the popular consciousness.
On the face of it, one might expect Antony & the Johnsons to be of niche appeal. The first album is decidely so, and the second is (despite appearances) a little friendlier to the foreign visitor. The album is presented uncompromisingly from the gay perspective – the cover of their album is Peter Hujar’s iconic 1973 photograph Candy Darling on her deathbed. But rather than preach stridently from the Militant Queer gospel, it contains the most incredible songs of love, vulnerability and fear that echo feelings and doubts in the heart of any listener regardless of background or orientation. Hope there's someone Who'll take care of me When I die, Will I go Hope there's someone Who'll set my heart free Nice to hold when I'm tired The first standout quality is the music. Every song is good. Antony’s voice is truly unique and perfectly suited to this album of torch songs, each of which has a separate and distinct identity. There are a number of famous collaborators appearing on the album also. Boy George duets on You are my sister. Lou Reed introduces Fistful of Love, a Northern Soul number which could have come straight out of Detroit or Chicago in the early sixties were it not for its subject matter of brutal love in an S&M relationship: I accept and I collect upon my body The memories of your devotion And I feel your fists And I know it's out of love And I feel the whip And I know it's out of love And I feel your burning eyes burning holes Straight through my heart It's out of love It’s apposite that the man who gave us Venus in Furs should be involved with this modern equivalent. Despite the quality of the music, for me the lyrics are the strongest part of the songs. As one newspaper reviewer put it, the lyrics to For today I am a boy will have the most hetero of listeners punching the air and shouting “You go, Girl!” in support, so eloquently and sparsely does it put its case. One day I’ll grow up, I’ll be a beautiful woman One day I’ll grow up, I’ll be a beautiful girl But for today I am a child, for today I am a boy This was the best album I bought in 2005, without a shadow of doubt. Listen to some of the samples on his website and discover this amazing artist for yourself. |