Compared to previous entries
this is a relatively mainstream one. Antony & The Johnson’s
second album I am a bird
now won the 2005
Mercury Music Prize for British artists. But that’s just about the
only mainstream element about
it…
There was
some consternation about the Mercury win at the time, since Antony’s
links to the UK music scene are tenuous at best (Antony was born in the UK
but raised in California, but that’s a stronger link than most of
the Irish national soccer team have, so we like all others will let
it pass).
Despite seemingly appearing from
nowhere and scooping a major award with his first effort, Antony has
(like many overnight successes) been paying his dues for a long
time. He moved to New
York in 1990 and became involved in the East Village gay scene
performing as a drag act. The debut album Antony & the
Johnsons was released
in 2000 and I am a
bird now followed in
2005 making a surprise breakthrough into the popular
consciousness.
On
the face of it, one might expect Antony & the Johnsons to be of
niche appeal. The album
is presented uncompromisingly from the gay perspective – the cover
of their album is Peter Hujar’s iconic 1973 photograph Candy Darling on her
deathbed. But rather
than preach stridently from the Militant Queer gospel, it contains
the most incredible songs of love, vulnerability and fear that echo
feelings and doubts in the heart of any listener regardless of
background or
orientation.
Hope there's someone
Who'll
take care of me
When I die, Will I go
Hope there's
someone
Who'll set my heart free
Nice to hold when I'm
tired
The
first standout quality is the music. Every song is good. Antony’s
voice is truly unique and perfectly suited to this album of torch
songs, each of which has a separate and distinct identity. There are a number of famous
collaborators appearing on the album also. Boy George duets on
You are my
sister. Lou Reed
introduces Fistful of
Love, a Northern Soul
number which could have come straight out of Detroit or Chicago in
the early sixties were it not for its subject matter of brutal
love in an S&M
relationship:
I accept and I collect upon my
body
The memories of your devotion
And I feel your fists
And I know it's out of love
And I feel the whip
And I
know it's out of love
And I feel your burning eyes burning holes
Straight through my heart
It's out of
love
It’s apposite that the man who
gave us Venus in
Furs should be
involved with this modern
equivalent.
Despite the quality of the
music, for me the lyrics are the strongest part of the songs. As one
newspaper reviewer put it, the lyrics to For today I am a boy will have the most hetero of
listeners punching the air and shouting “You go, Girl!” in support,
so eloquently and sparsely does it put its
case.
One day I’ll grow up, I’ll be a
beautiful woman
One day I’ll grow up, I’ll be a beautiful
girl
But for today I am a child, for today I am a
boy
This is the
best album I bought in 2005, without a shadow of
doubt.
Listen to some of the
samples at http://www.brainwashed.com/antony/ and
discover this amazing artist for
yourself.